By the next afternoon, Dylan was not so sure of himself and all he had wrought. As they began to mix songs from the master reels, a few takes fell foul of the review process, perhaps reflecting a darker mood on Dylan’s part.
On 18th September 1974, Bob Dylan was back in A & R Studios in New York for the third day of recording Blood on the Tracks. Engineer and studio chief Phil Ramone was busy mixing tracks pulled to master from the previous two days, and pedal steel player Buddy Cage was brought in to add overdubs on a few of the takes. As far as recording goes, this was the least productive day of the four. Bob had a go at recording ‘Buckets of Rain’ under the gaze of Mick Jagger in the control room, but abandoned it after four attempts. He left the studio early to go watch a concert and think about what he needed to do the following day to get the album he was hearing in his head.
Read all about it in No One Else Could Play That Tune: The Making and Unmaking of Bob Dylan’s Masterpiece by Clinton Heylin. Get your copy here.