Paul Hanley on Gideon Coe’s Late Night Book Club on BBC Radio 6 Music talking Hex Enduction Hour and Have A Bleedin Guess. Click play above to listen. Running time 36:29.
Iain Matthews and Ian Clayton caught in the Devil’s bargain on their Words & Music Tour at The Red Shed, Wakefield. Ian reads a short extract from Iain’s memoir Thro’ My Eyes followed by a stripped-down performance of ‘Woodstock’ by Iain. Recorded on 27th September 2019.
It was the perfect moment at iconic Red Shed, Wakefield’s Labour Club. The story shows that it was because of the Union that we got the Matthews Southern Comfort ‘Woodstock’ in the first place. It’s a song that strives for a new utopia, but it’s this version that spread the ideal beyond the hippies and dreamers to the kitchens, bedrooms, youth clubs, factories and paint shops of the masses. And this is a beautiful performance by Iain. At one point, he’s singing the notice board (Toulouse / To lose)
Click here for more on Thro’ My Eyes: A Memoir.
Ian Clayton has won a prestigious British Guild of Beer Writers award, picking up the Long Live the Local Award for Best Writer about Pubs for his book It’s The Beer Talking: Adventures in Public Houses, which was published earlier this year.
In his acceptance speech, Clayton said, ‘Public houses are like libraries, in that they both deserved to be looked after and cherished.’ A notion shared by the award’s sponsors, Long Live The Local, a campaign backed by a broad alliance of pubs, brewers and industry bodies to celebrate the vital role local pubs play in our community, culture and economy. The judges were briefed to find the best writing about the pub as a treasured national asset. The award was presented David Cunningham, programme director for Long Live The Local, at the Guild’s glitzy annual dinner held at One Great George Street in Westminster. Clayton received a framed citation, a specially engraved tankard and a cheque for £1000.
Clayton’s was the only book honoured at this year’s awards, which received more than 150 entries across 11 categories. Emma Inch, chair of judges for the Awards said ‘The standard of entries across all categories was extremely high and judges had a tough task choosing the winners and runners up. We were impressed by the levels of knowledge, energy and passion that shone through the works submitted by our finalists, whether they had written a column, published a book or produced a film.’ Inch described Clayton’s book as a ‘picaresque adventure’.
Inch was joined on the judging panel by Laurence Creamer, Social & Digital Lead on industry campaign Long Live The Local; Tim Hayward, food & drink author, restaurant reviewer and regular on Radio 4’s Kitchen Cabinet;: Charlie McVeigh, founder of Draft House; Tony Naylor, food & drink writer contributing to The Guardian and BBC Good Food; Ross O’Hara, head brewer at Greene King; Kate Oppenheim, hospitality sector journalist and communications expert, currently publisher and editor of BII News; Tony Sophoclides, Strategic Affairs Director at UKHospitality.
Chair of the British Guild of Beer Writers, Pete Brown, said of the award that he was ‘I’m delighted Ian’s book was a success because it shows us how many different ways there are to tackle pubs as a writer, which in turn reminds us how multi-faceted and essential pubs are.’
In It’s The Beer Talking, Ian Clayton turns his sights on one of the great loves of his life, the public house. When he started drinking in the 1970s, Clayton drank alongside men who’d fought in the First World War, thus by 2019 he’s shared first-hand stories that span over a century of life lived. In his foreword to the book, one of Britain’s leading beer writers, Roger Protz, bemoans the decline of the public house as the centre of British life, a victim of modern times. While the statistics of pub closures bear this out as undeniable fact, somewhere in Ian Clayton’s story lays a glimpse of something else. In this journey to the soul of the British pub, we see a spirit that endures, an eternal connection to public houses which is ever-present, behind the layers of paint, inside the stories, waiting to be released. Ian believes that pubs, like libraries, are repositories of wisdom, if we lose either, then the neighbourhood starts to shiver.
Ian Clayton is an author, broadcaster and storyteller from Featherstone, West Yorkshire. His stories are about making sense of where we come from. His books tackle subjects as diverse as rugby league, jazz and homelessness. His recent memoirs include Song For My Father, Our Billie and Bringing It All Back Home, described by Record Collector magazine as ‘one of the best books about popular music ever written’.
Paul Hanley in conversation with Daryl Easlea at Louder Than Words Festival 2019. They discuss Paul’s book Have A Bleedin Guess: The Story of Hex Enduction Hour. Running time 1:02:37
AUDIO: Brothers Steve Hanley and Paul Hanley in conversation with John Doran at Walthamstow Rock N Roll Book Club. The first part of the conversation is dedicated to The Fall’s 1982 album Hex Enduction Hour, the subject of Paul Hanley’s book Have A Bleedin Guess. The second part is taken with general questions about The Fall, led first by John Doran and followed up by questions from the audience. Recorded at The Trades Hall, Walthamstow on 23rd October 2019 in front of a full house. The sound of bottles smashing during the recording come from the bar, there wasn’t a riot in the crowd. Click play above to listen. Running Time 1:26:50
(If the audio player above is not active, click this link to play the file in your browser, or right-click and choose ‘save link as’ to download the podcast’)
VIDEO: Click here to watch a video of the audience Q&A (It duplicates the last 21 minutes of this recording, so you can switch over at 1:05:29 and listen to the remainder with moving pictures.)
For more on Steve and Paul’s books, click the covers below.
Iain Matthews and Ian Clayton join Jason Barnard to talk about Iain’s memoir Thro’ My Eyes for The Strange Brew Podcast, illustrated by 13 songs drawn from across Iain’s career. Running time 1hr 41 mins. Click play above to listen.
Jason at The Strange Brew has a fine collection of podcasts. You can find them on the website or subscribe to The Strange Brew Podcast on iTunes or your favourite podcast provider.
Route is delighted to announced the acquisition of Tom Clayton’s book When Quiet Was The New Loud: Celebrating the Acoustic Airwaves 1998-2003. The book is a playful yet affectionate look at a brief period of British music that the NME called ‘the New Acoustic Movement’ and Alan McGee called ‘music to wet your bed to’. Despite the enormous success of some of its leading lights – Coldplay, Travis, David Gray (his album White Ladder sold 3 million copies in the UK alone, and 7 million worldwide. It is Ireland’s biggest selling album of all-time) – the negative reaction to it was so fierce it not only died a sudden death, it was quickly erased from history. Tom’s book looks at the broader movement beyond the key players; it is a deeply-researched and measured view of an era that although happened relatively recently, is already being purposefully forgotten.
Here are some words from Tom on the book:
“When Quiet Was The New Loud: Celebrating the Acoustic Airwaves 1998-2003 is an affectionate look at a time that’s often skimmed over when we tell the story of British music. The late nineties and early noughties are too often dismissed as the era of ‘bedwetting indie’ – the epilogue to Britpop, or the prologue to ‘new rock’. With this book I’m hoping to prove it was more than just a stopgap. It takes the form of twelve chapters, each focusing on a key album from the time – both the big bestsellers, and the hidden gems. For a lot of people my age, these records played a huge part in our musical upbringings… whether we like to admit it or not! In any case, I hope it prompts some fond memories and some generous relistens. It’s been such fun to revisit the time, and to interview many of the musicians involved. And I’m delighted to be working with Route, a publisher I admire enormously.”
Route editor Ian Daley says, ‘I’m thrilled to be working with Tom. He possesses the perfect combination of a talent for writing and a passion for his subject. With When Quiet Was The New Loud he has found a quirky gateway into the British psyche at the turn of the 21st century.’
Tom Clayton is a music critic whose writing has appeared in The Sunday Times, Drowned in Sound, Louder Than War and The 405, among others. He was the lead researcher and writer for Messing Up the Paintwork: The Wit and Wisdom of Mark E. Smith (Ebury, 2018); When Quiet Was the New Loud is his first original book. He lives and works in east London.
When Quiet Was The New Loud will be published by Route in 2020.
Video above is Kings of Convenience with ‘Toxic Girl’, a song from their album Quiet Is The New Loud.