New Acquisition | When Quiet Was The New Loud by Tom Clayton

Route is delighted to announced the acquisition of Tom Clayton’s book When Quiet Was The New Loud: Celebrating the Acoustic Airwaves 1998-2003. The book is a playful yet affectionate look at a brief period of British music that the NME called ‘the New Acoustic Movement’ and Alan McGee called ‘music to wet your bed to’. Despite the enormous success of some of its leading lights – Coldplay, Travis, David Gray (his album White Ladder sold 3 million copies in the UK alone, and 7 million worldwide. It is Ireland’s biggest selling album of all-time) – the negative reaction to it was so fierce it not only died a sudden death, it was quickly erased from history. Tom’s book looks at the broader movement beyond the key players; it is a deeply-researched and measured view of an era that although happened relatively recently, is already being purposefully forgotten.

Here are some words from Tom on the book:

“When Quiet Was The New Loud: Celebrating the Acoustic Airwaves 1998-2003 is an affectionate look at a time that’s often skimmed over when we tell the story of British music. The late nineties and early noughties are too often dismissed as the era of ‘bedwetting indie’ – the epilogue to Britpop, or the prologue to ‘new rock’. With this book I’m hoping to prove it was more than just a stopgap. It takes the form of twelve chapters, each focusing on a key album from the time – both the big bestsellers, and the hidden gems. For a lot of people my age, these records played a huge part in our musical upbringings… whether we like to admit it or not! In any case, I hope it prompts some fond memories and some generous relistens. It’s been such fun to revisit the time, and to interview many of the musicians involved. And I’m delighted to be working with Route, a publisher I admire enormously.”

Route editor Ian Daley says, ‘I’m thrilled to be working with Tom. He possesses the perfect combination of a talent for writing and a passion for his subject. With When Quiet Was The New Loud he has found a quirky gateway into the British psyche at the turn of the 21st century.’

Tom Clayton is a music critic whose writing has appeared in The Sunday Times, Drowned in Sound, Louder Than War and The 405, among others. He was the lead researcher and writer for Messing Up the Paintwork: The Wit and Wisdom of Mark E. Smith (Ebury, 2018); When Quiet Was the New Loud is his first original book. He lives and works in east London.

When Quiet Was The New Loud will be published by Route in 2020.

Video above is Kings of Convenience with ‘Toxic Girl’, a song from their album Quiet Is The New Loud.

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HAVE A BLEEDIN GUESS

HAVE A BLEEDIN GUESS: The Story of Hex Enduction Hour by Paul Hanley

Even if it’s a fool’s errand trying to decide which is the greatest LP out of The Fall’s huge back catalogue of albums, many fanatics of the group will tell you that the worst thing you can say about Hex is that it’s their equal best at the very least. ’ – John Doran, The Quietus

Of all The Fall’s myriad long-players, Hex Enduction Hour remains one of their most highly regarded. Even the circumstances of its recording, purportedly in an abandoned cinema and a cave formed from Icelandic lava, have achieved legendary status among their ever-loyal fanbase.  HAVE A BLEEDIN GUESS tells the full story of the album, including how each song was written, performed and recorded. It also includes new interviews with key players.

Author Paul Hanley, who was one of The Fall’s two drummers when Hex was created, is uniquely placed to discuss the album’s impact, both when it was released and in the ensuing years.

Hanley writes in his introduction to the book: ‘Because of the way The Fall worked in those days, Hex and its contents can’t be discussed in a vacuum […] While what went on during the Iceland and Hitchin sessions will inform much of what follows, documenting the making of Hex Enduction Hour isn’t like discussing Rumours, or even Blood on the Tracks: its recording was part of a process. What’s more, the Fall process often subverted the rehearse-record-tour cycle by skipping the rehearsal bit – it wasn’t unheard of for a song roughed out in a soundcheck to be part of that night’s set. The oldest song on Hex Enduction Hour was first played live as early as August 1980. The group released an LP, a six-track ‘mini-album’ and two singles before it made its way onto vinyl, but it fits Hex Enduction Hour’s atmosphere perfectly. Someone in The Fall knew what they were doing. Hopefully by the end of this you’ll have some idea too.’

It is this continuous working process – from the formation of the band that made the record, through the trip to Iceland, the key switching of record labels from Rough Trade to Kamera and the subsequent recording at The Regal in Hitchin –  that is at the heart of HAVE A BLEEDIN GUESS. Along the way, Hanley’s insider’s perspective busts a few myths that have surrounded the album over the years, as well as bringing fresh insights, not least of which is who is the King Shag Corpse.

The book features new contributions from key players on the album, including Craig Scanlon, Steve Hanley, Marc Riley and Kay Carroll, plus producers Grant Showbiz and Richard Mazda, and Kamera’s Saul Galpern and Chris Youle.

Foreword by Stewart Lee

Paul Hanley was the drummer in The Fall from 1980-85 and now plays with Brix & The Extricated. His debut book Leave The Capital: A History of Manchester Music in 13 Recordings was nominated for the ARSC Award for Excellence in Historical Recorded Sound Research.

HAVE A BLEEDIN GUESS: The Story of Hex Enduction Hour is to be initially published as an exclusive, off-the-grid hardback edition in October 2019. This edition will only be available direct from Route. A trade paperback edition will eventually go on general release, but not before Spring 2020.

CLICK HERE TO PRE-ORDER YOUR SIGNED HARDBACK COPY AND BE AMONG THE FIRST TO READ IT

Events:
Wednesday 23rd October
Rock N Roll Book Club, Walthamstow Trades Hall.
Paul will be joined by brother Steve. Interviewed by John Doran of The Quietus
Click here for tickets and further details.

Sunday 10th November
Louder Than Words Festival, Principal Hotel, Manchester
Paul will be interview by Daryl Easlea
Click here for tickets and further details.

Thro My Eyes | Words and Music Tour

Thro’ My Eyes Words and Music Tour

25th September Lamproom Theatre, Barnsley (Tickets)
26th September Grateful Fred House Concert, Birkdale (Email for tickets)
27th September The Red Shed, Wakefield (Tickets)
29th September Tap & Barrel, Pontefract (Tickets)
30th September The Doublet, Glasgow (Tickets)
1st October Borderlines Festival, Carlisle (Tickets)
2nd October Backstage @ Green Hotel, Kinross (Tickets)
6th October The Courthouse, Otley (Tickets)
8th October The Greys, Brighton (Tickets)
9th October Kitchen Garden Cafe, Kings Heath (Tickets)
10th October Black Swan Folk Club, York (Tickets)
11th October Malvern Cube, Malvern (Cancelled)

Iain Matthews’s critically acclaimed memoir Thro’ My Eyes was written in collaboration with author Ian Clayton. The book is structured around a series of Matthews’s songs and illustrated by the stories that inspired them. This words and music show brings the book to life: Ian Clayton will read stories from the book interspersed with live songs from Iain Matthews, presenting an intimate and highly entertaining evening that tells the story of an artistic life through the eyes of one of our most enduring singer-songwriters.

The show will follow the story of Iain’s life, from a Scunthorpe childhood obsessed with football and music, to thrusting himself into the heart of Carnaby Street in the swinging-sixties. In 1967, he was recruited as lead vocalist for folk-rock pioneers Fairport Convention before embarking on a hugely successful and prolific career as a solo artist and in the groups Matthews Southern Comfort and Plainsong, including a No. 1 ht single with ‘Woodstock’. In 1973, when an invitation was extended to record in LA with ex-Monkee Michael Nesmith, Iain took it with open arms. The opportunity to work with musicians and songwriters he had admired from afar led him to stay; he lived and worked in the USA for the next 27 years, through highs and lows, with extended stints in Los Angeles, Seattle and Austin. In 2000, in an an act of personal and professional renewal, he moved to the Netherlands, where he still lives and works to this day. Throughout those fifty years, Iain has never stopped working, with music driving him forward every step of the way. The show will be a highly entertaining and intimate occasion, rich in stories and wonderful live music, presenting the story of an artistic life through the eyes of one of our most enduring singer-songwriters.

‘If there was an award for the role of Godfather of Americana in the UK, serious consideration would have to go to Iain Matthews. It’s all there in his excellent autobiography.’ Americana UK

‘Thro’ My Eyes is the best music read I’ve come across in a very long time.’ fRoots

‘Highly recommended both for its historical value and as a quick-paced, absorbing reading experience.’ Richie Unterberger’s Top Twenty Rock Books of 2018

Click here for more on Thro’ My Eyes: A Memoir

Wanted Man Study Series | Take Two

Route is delighted to publish a new edition in the Wanted Man Study Series, starting with Take II – Vol.1, Clinton Heylin’s monograph No One Else Could Play That Tune: The Making and Unmaking of Bob Dylan’s 1974 Masterpiece. Here’s a note from Clinton outlining the rebirth of the series.


Between 1983 and 1986, the Bob Dylan Information Office that I had co-founded in 1981 with John Bauldie, Dave Dingle and other friends – known to one and all as Wanted Man – published five monographs in its own, self-proclaimed Study Series.

Each volume, according to the series editor, the late John Bauldie, was supposed to be a ‘stud[y] of [an] individual LP record by Bob Dylan, or of particular themes in Bob Dylan’s written and recorded work’.

The first two volumes published were indeed devoted to specific albums: John Hinchey’s fine essay on Slow Train Coming and John B.’s own monograph on Dylan’s ‘other’ mid-seventies masterpiece, Desire. The intention was to produce work with an academic rigour outside of the rigid confines of academia, which back then was wholly disinterested in Dylan.

If academia has slowly woken up to Dylan’s cultural and artistic importance in the intervening decades – so much so that there is now an Institute of Dylan Studies at the University of Tulsa – the rigour that these Wanted Men displayed then (and now) is still disappointingly hard to find inside most mausoleums of higher learning.

As such, methinks now is the time to revive the Wanted Man Study Series, beginning with an account of what many fans consider the greatest of ‘individual LP records by Bob Dylan’: Blood On The Tracks; in it, I draw on new first-hand interviews and access to the full session histories for the original, so-called ‘New York’ album, recorded between September 16th and the 19th, 1974.

It is hoped that the rebirth of the Study Series will prompt others to follow in the footsteps of John Hinchey, Aidan Day, Nick de Somogyi and Bert Cartwright, submitting further potential volumes to myself – as John’s successor in the role of self-appointed series editor – via Route Books, our new publisher. After all, as the mercurial bard himself said, ‘You can kill a man, but you can’t kill an idea.’

– Clinton Heylin, September 2018.


Take !! – Vol. 1 of the Wanted Man Study Series, Clinton’s No One Else Could Play That Tune is available exclusively from Route. Click here to order a copy.

Thro My Eyes: A Memoir by Iain Matthews

Thro My Eyes Deluxe Iain Matthews

Thro’ My Eyes – A Memoir
Iain Matthews
with Ian Clayton
Published by Route
Pre-order here

It’s the swinging sixties and a young man leaves behind a humdrum Northern life and heads for London. He lands smack dab in the middle of Carnaby Street. Within months he is in a band and a year later he’s invited to audition for Fairport Convention. He shares lead vocal duties first with Judy Dyble and then with Sandy Denny in perhaps the greatest line-up of that much loved band of folk-rock pioneers.

In 1970, he forms Matthews Southern Comfort and has an international hit with an arrangement of Joni Mitchell’s counter-culture classic ‘Woodstock’. With the ultimate earworm still high in the charts, Iain walks out on the band and after just a few months of reflection, releases the classic album If You Saw Thro’ My Eyes. Then with Andy Roberts, he puts together the highly revered Plainsong. They make just one LP, the critically acclaimed In Search of Amelia Earhart. Iain then takes the opportunity to move to California to pursue an interest in the emerging West Coast singer-songwriter movement. He criss-crosses the States for the next thirty years, first as a major label artist, initially with Elektra and then Columbia, and eventually as a latter day troubadour with a guitar and a pickup truck.

Back in Europe since the turn of the millennium, Iain finally settles down with a wife and family but continues to pursue the muse. Still possessed of one of the greatest male singing voices Britain ever produced, Matthews is now in his sixth decade as a professional musician. He has written a compelling memoir of a life on the road, in the studio and at home. It’s a story of music, journeys, life and what it does to us, through the eyes of one of our most enduring singer-songwriters.

I value the times Iain has been my fellow traveller in music. He is one of the great folk/rock/pop singers and writers, and his life and music trajectory have both been extraordinary … and he keeps getting better. Richard Thompson. OBE – Recording artist, Fairport Convention founding member

They say if you remember the sixties, you probably weren’t there. Iain Matthews was there and he remembers most of it. It’s wonderful to hear about it through his eyes. Better yet, he’s still around, writing and singing as well as he ever did. Cerys Matthews – Broadcaster and recording artist

Iain Matthews’s career has been a remarkable adventure, from Scunthorpe to Muswell Hill to ‘Woodstock’ to Texas to the Netherlands, making wonderful music at every stop. Joe Boyd – Author and record producer

Iain Matthews has been many things during his long and distinguished career; folk-rock pioneer, hitmaker, folk artist and songwriter among them. It has been my pleasure to have known and worked with him for half a century, and he’s still going strong. Long may he continue! Al Stewart – Songwriter and recording artist

 

Iain Matthews first gained public attention in 1967 as a founding member and vocalist for the innovative music group Fairport Convention. In 1970 he created his own band Matthews Southern Comfort and had a worldwide hit with Joni Mitchell’s ‘Woodstock’. During the 1980s Matthews turned his attention to the business of music as an A&R person for both Island and Windham Hill Records, but was encouraged by Robert Plant of Led Zeppelin to rekindle his creative flame. In 2000, Matthews moved to the Netherlands where he currently lives and works.

Ian Clayton is an author, broadcaster and storyteller from Featherstone, West Yorkshire. His stories are about making sense of where we come from. His books include Bringing It All Back Home, a bestselling book about music; Song For My Father about his lifelong search for a father figure; Our Billie about loss; and most recently It’s The Beer Talking about a life in public houses and ale.

 

Order Details

Thro’ My Eyes: A Memoir by Iain Matthews with Ian Clayton will be unveiled at Cropredy Festival in August this year. The book will be for sale at the Fairport Merchandise Tent on site and there is a series of organised signings with Iain. If you are at Cropredy, this is the place to get the book. If not, you can pre-order direct from Route. We will begin despatch after the Cropredy Festival.

First Edition Hardback: £20
Deluxe Edition: First Edition Hardback + Accompanying Double CD £30

Click here to pre-order

CD Track Listing

Route Acquires Iain Matthews Memoir Thro’ My Eyes

Ian Clayton and Iain Matthews

Thro’ My Eyes: A Memoir by Iain Matthews with Ian Clayton

Route is delighted to announce the acquisition of the memoir of legendary singer-songwriter Iain Matthews. Thro’ My Eyes: A Memoir tells the story of over fifty years of making music.

It’s the swinging sixties and a young man leaves behind a humdrum Northern life and heads for Swinging London. He lands smack dab in the middle of Carnaby Street. Within months he is in a band and a year later he’s invited to audition for Fairport Convention. He shares lead vocal duties first with Judy Dyble and then with Sandy Denny in perhaps the greatest line-up of that much loved band of folk-rock pioneers.

In 1970, he forms Matthews Southern Comfort and has an international hit with an arrangement of Joni Mitchell’s counter-culture classic ‘Woodstock’. With the ultimate earworm still high in the charts, Iain walks out on the band and after just a few months of reflection, releases the classic album If You Saw Thro’ My Eyes. Then with Andy Roberts, he puts together the highly revered Plainsong. They make just one LP, the critically acclaimed In Search of Amelia Earhart.  Iain then takes the opportunity to move to California to pursue an interest in the emerging West Coast singer-songwriter movement. He criss-crosses the States for the next thirty years, first as a major label artist, initially with Elektra and then Columbia, and eventually as a latter day troubadour with a guitar and a pickup truck.

Back in Europe since the turn of the millennium, Iain finally settles down with a wife and family but continues to pursue the muse.  Still possessed of one of the greatest male singing voices Britain ever produced, Matthews is now in his sixth decade as a professional musician. He has written a compelling memoir of a life on the road, in the studio and at home. It’s a story of music, journeys, life and what it does to us, through the eyes of one of our most enduring singer-songwriters.

Route editor Ian Daley said of the acquisition, ‘We touched on Iain’s early career in Clinton Heylin’s biography of the Fairport Convention diaspora What We Did Instead of Holidays, so it’s a real privilege to work with the man himself on this great book. His dedication to music and his determination to keep learning and moving forward is an inspiration.  It’s been an enlightening experience, and a joy to immerse ourselves in his tremendous body of work.’

Iain Matthews: ‘Through a series of false starts this book has taken me more than ten years to write. I was finally able to bring it home with the invaluable help of my dear friend Ian Clayton. I simply could not have done it without him. Writing a song is something I’ve become quite adept at, but a book is a whole other matter. There were times when I felt I could not summon forth the memories and it was not going to happen, but miraculously it did. Now that it has I feel both exhilarated and proud that my life lesson has been captured in print. It’s an amazing feeling to know.’

Ian Clayton: ‘Iain’s book tells a very real story of a young man from humble beginnings who pursued a dream through music, went through plenty of ups and downs and finally found his peace. I have read a lot of books by musicians, most of ‘em are flimsy, this one has depth and authenticity, it will stand on its own feet for a long time to come.’

***

Iain Matthews first gained public attention in 1967 as a founding member and vocalist for the innovative music group Fairport Convention. In 1970 he created his own band Matthews Southern Comfort and had a worldwide hit with Joni Mitchell’s ‘Woodstock’.  During the 1980s Matthews turned his attention to the business of music as an A&R person for both Island and Windham Hill Records, but was encouraged by Robert Plant of Led Zeppelin to rekindle his creative flame. In 2000, Matthews moved to the Netherlands where he currently lives and works.

Ian Clayton is an author, broadcaster and storyteller from Featherstone, West Yorkshire. His stories are about making sense of where we come from. His books include Bringing It All Back Home, a bestselling book about music; Song For My Father about his lifelong search for a father figure; Our Billie about loss; and most recently It’s The Beer Talking about a life in public houses and ale.

***

Thro’ My Eyes: A Memoir by Iain Matthews with Ian Clayton will be unveiled at Cropredy Festival in August this year, with advance editions made available from www.route-online.com thereafter, including a Deluxe edition which comes complete with a double CD of Iain’s songs. The book will have a trade release in Autumn 2018.

Stay in touch with Route for further updates.
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Visit Thro’ My Eyes website: www.iainmatthewsmemoir.wordpress.com
Keep up to date with Iain Matthews work at www.iainmatthews.nl
Ian Clayton website: www.ianclaytoninfo.wordpress.com

 

What We Did Instead of Holidays

Fairport Convention And Its Extended Folk-Rock Family
A History by Clinton Heylin

Route is delighted to announce the publication of a stunning new biography from one of the leading rock historians in the world. Click here to pre-order a signed first edition hardback.

In June 1968, a group of Muswell Hillbillies made their official album debut as Fairport Convention. In the next fifteen years, three of those founding Fairportees – Richard Thompson, Ashley ‘Tyger’ Hutchings and Simon Nicol – along with the next generation of Fairport recruits – Iain Matthews, Sandy Denny, and the three Daves: Swarbrick, Pegg and Mattacks – would form a veritable dynasty of English folk-rock, each pursuing their own path, but always returning to work with each other, to collectively produce albums with a near-eternal appeal.

Which is why every year since 1979 in a field somewhere near Banbury, 20,000-plus fans have congregated to celebrate this music’s enduring appeal at the Cropredy Festival.

So, fifty years on, now seems like the right time to tell the full story: to collect all the family lore that surrounds Fairport and its surrogates, and to disentangle the many highs and lows from those first fifteen years of Fotheringport Confusion.

Drawing on interviews with all the musicians and key figures in English folk-rock – including producers extraordinaire Joe Boyd and Sandy Roberton – Clinton Heylin has produced the definitive history of a folk-rock family in its golden era.

Candid, clear and cogent, presented with insight and chronologically, Clinton Heylin ties the loose threads of Fairport and its offshoots together in their own words. Diving deep beneath the surface of the music into the lives of the principals, he answers many un-asked questions.
Simon Nicol, Fairport Convention co-founder & longest serving member

We were young and ambitious. Learning the game without a manual or safety net. No one was exempt. Clinton Heylin has absolutely nailed the way it was. I recognize myself in this story and realized some interesting things about my former band mates. An enthralling read for any Fairport fan.
Iain Matthews, lead vocalist of Fairport Convention 1967-69

First edition hardback contains three colour photo-sections with previously unpublished photos.

ORDER: Be among the first to read this book. Click here to pre-order an exclusive author signed first edition hardback.

Clinton Heylin is one of the leading rock historians in the world, with over two dozen books to his name. These include biographies of Bob Dylan (Behind The Shades), Van Morrison (Can You Feel The Silence?), Bruce Springsteen (E Street Shuffle) and Sandy Denny (No More Sad Refrains), as well as his acclaimed pre-punk history, From The Velvets To The Voidoids, and the one and only history of rock bootlegs, Bootleg. His highly acclaimed titles It’s One For The Money and Anarchy In The Year Zero were nominated for the Penderyn Book Award. His most recent titles, JUDAS! and Trouble In Mind, are in-depth accounts of the two electrifying periods in Bob Dylan’s career when he was roundly booed. He lives in Somerset.