Route Acquires Iain Matthews Memoir Thro’ My Eyes

Ian Clayton and Iain Matthews

Thro’ My Eyes: A Memoir by Iain Matthews with Ian Clayton

Route is delighted to announce the acquisition of the memoir of legendary singer-songwriter Iain Matthews. Thro’ My Eyes: A Memoir tells the story of over fifty years of making music.

It’s the swinging sixties and a young man leaves behind a humdrum Northern life and heads for Swinging London. He lands smack dab in the middle of Carnaby Street. Within months he is in a band and a year later he’s invited to audition for Fairport Convention. He shares lead vocal duties first with Judy Dyble and then with Sandy Denny in perhaps the greatest line-up of that much loved band of folk-rock pioneers.

In 1970, he forms Matthews Southern Comfort and has an international hit with an arrangement of Joni Mitchell’s counter-culture classic ‘Woodstock’. With the ultimate earworm still high in the charts, Iain walks out on the band and after just a few months of reflection, releases the classic album If You Saw Thro’ My Eyes. Then with Andy Roberts, he puts together the highly revered Plainsong. They make just one LP, the critically acclaimed In Search of Amelia Earhart.  Iain then takes the opportunity to move to California to pursue an interest in the emerging West Coast singer-songwriter movement. He criss-crosses the States for the next thirty years, first as a major label artist, initially with Elektra and then Columbia, and eventually as a latter day troubadour with a guitar and a pickup truck.

Back in Europe since the turn of the millennium, Iain finally settles down with a wife and family but continues to pursue the muse.  Still possessed of one of the greatest male singing voices Britain ever produced, Matthews is now in his sixth decade as a professional musician. He has written a compelling memoir of a life on the road, in the studio and at home. It’s a story of music, journeys, life and what it does to us, through the eyes of one of our most enduring singer-songwriters.

Route editor Ian Daley said of the acquisition, ‘We touched on Iain’s early career in Clinton Heylin’s biography of the Fairport Convention diaspora What We Did Instead of Holidays, so it’s a real privilege to work with the man himself on this great book. His dedication to music and his determination to keep learning and moving forward is an inspiration.  It’s been an enlightening experience, and a joy to immerse ourselves in his tremendous body of work.’

Iain Matthews: ‘Through a series of false starts this book has taken me more than ten years to write. I was finally able to bring it home with the invaluable help of my dear friend Ian Clayton. I simply could not have done it without him. Writing a song is something I’ve become quite adept at, but a book is a whole other matter. There were times when I felt I could not summon forth the memories and it was not going to happen, but miraculously it did. Now that it has I feel both exhilarated and proud that my life lesson has been captured in print. It’s an amazing feeling to know.’

Ian Clayton: ‘Iain’s book tells a very real story of a young man from humble beginnings who pursued a dream through music, went through plenty of ups and downs and finally found his peace. I have read a lot of books by musicians, most of ‘em are flimsy, this one has depth and authenticity, it will stand on its own feet for a long time to come.’

***

Iain Matthews first gained public attention in 1967 as a founding member and vocalist for the innovative music group Fairport Convention. In 1970 he created his own band Matthews Southern Comfort and had a worldwide hit with Joni Mitchell’s ‘Woodstock’.  During the 1980s Matthews turned his attention to the business of music as an A&R person for both Island and Windham Hill Records, but was encouraged by Robert Plant of Led Zeppelin to rekindle his creative flame. In 2000, Matthews moved to the Netherlands where he currently lives and works.

Ian Clayton is an author, broadcaster and storyteller from Featherstone, West Yorkshire. His stories are about making sense of where we come from. His books include Bringing It All Back Home, a bestselling book about music; Song For My Father about his lifelong search for a father figure; Our Billie about loss; and most recently It’s The Beer Talking about a life in public houses and ale.

***

Thro’ My Eyes: A Memoir by Iain Matthews with Ian Clayton will be unveiled at Cropredy Festival in August this year, with advance editions made available from www.route-online.com thereafter, including a Deluxe edition which comes complete with a double CD of Iain’s songs. The book will have a trade release in Autumn 2018.

Stay in touch with Route for further updates.
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Keep up to date with Iain Matthews work at www.iainmatthews.nl
Ian Clayton website: www.ianclaytoninfo.wordpress.com

 

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What We Did Instead of Holidays

Fairport Convention And Its Extended Folk-Rock Family
A History by Clinton Heylin

Route is delighted to announce the publication of a stunning new biography from one of the leading rock historians in the world. Click here to pre-order a signed first edition hardback.

In June 1968, a group of Muswell Hillbillies made their official album debut as Fairport Convention. In the next fifteen years, three of those founding Fairportees – Richard Thompson, Ashley ‘Tyger’ Hutchings and Simon Nicol – along with the next generation of Fairport recruits – Iain Matthews, Sandy Denny, and the three Daves: Swarbrick, Pegg and Mattacks – would form a veritable dynasty of English folk-rock, each pursuing their own path, but always returning to work with each other, to collectively produce albums with a near-eternal appeal.

Which is why every year since 1979 in a field somewhere near Banbury, 20,000-plus fans have congregated to celebrate this music’s enduring appeal at the Cropredy Festival.

So, fifty years on, now seems like the right time to tell the full story: to collect all the family lore that surrounds Fairport and its surrogates, and to disentangle the many highs and lows from those first fifteen years of Fotheringport Confusion.

Drawing on interviews with all the musicians and key figures in English folk-rock – including producers extraordinaire Joe Boyd and Sandy Roberton – Clinton Heylin has produced the definitive history of a folk-rock family in its golden era.

Candid, clear and cogent, presented with insight and chronologically, Clinton Heylin ties the loose threads of Fairport and its offshoots together in their own words. Diving deep beneath the surface of the music into the lives of the principals, he answers many un-asked questions.
Simon Nicol, Fairport Convention co-founder & longest serving member

We were young and ambitious. Learning the game without a manual or safety net. No one was exempt. Clinton Heylin has absolutely nailed the way it was. I recognize myself in this story and realized some interesting things about my former band mates. An enthralling read for any Fairport fan.
Iain Matthews, lead vocalist of Fairport Convention 1967-69

First edition hardback contains three colour photo-sections with previously unpublished photos.

ORDER: Be among the first to read this book. Click here to pre-order an exclusive author signed first edition hardback.

Clinton Heylin is one of the leading rock historians in the world, with over two dozen books to his name. These include biographies of Bob Dylan (Behind The Shades), Van Morrison (Can You Feel The Silence?), Bruce Springsteen (E Street Shuffle) and Sandy Denny (No More Sad Refrains), as well as his acclaimed pre-punk history, From The Velvets To The Voidoids, and the one and only history of rock bootlegs, Bootleg. His highly acclaimed titles It’s One For The Money and Anarchy In The Year Zero were nominated for the Penderyn Book Award. His most recent titles, JUDAS! and Trouble In Mind, are in-depth accounts of the two electrifying periods in Bob Dylan’s career when he was roundly booed. He lives in Somerset.

 

New Title | Trouble In Mind

Trouble In Mind: Bob Dylan’s Gospel Years – What Really Happened
by Clinton Heylin

‘When I get involved in something, I get totally involved. I don’t just play around on the fringes.’ – Bob Dylan

In 1979 there was… trouble in mind, and trouble in store for the ever-iconoclastic Dylan. But unlike in 1965-66, the artifactal afterglow – three albums in three years, Slow Train Coming, Saved and Shot of Love – barely reflected the explosion of faith and inspiration. One has to look elsewhere, and in Trouble In Mind, Clinton Heylin has; connecting the dots on the man’s gospel years by drawing on a wealth of new information, newly-found recordings and new interviews. His primary goal? To make the case for a wholesale re-evaluation of the music Bob Dylan produced in these inspiring times.

‘The only Dylanologist worth reading.’ – New York Times

Trouble In Mind is the perfect accompaniment to the forthcoming gospel years bootleg series. Get yourself ready. The book is published 30 October 2017. Pre-orders will be shipped in advance of publication date. Be among the first to read it. Click here to pre-order an advance signed copy.

| See page for JUDAS! by Clinton Heylin |

 

New Title – Leave The Capital

New book by Paul Hanley refashions the history of Manchester music

Route is delighted to announce the acquisition of the debut book by legendary drummer Paul Hanley. His book, Leave The Capital, refashions the history of Manchester music and looks beyond the big bang theory of everything starting at the infamous Sex Pistols gigs at the Free Trade Hall. If that was the single catalyst, then why didn’t every other city the Sex Pistols play make such a significant response? Hanley argues that it was the existence of two top class recording studios in Manchester that made the difference: Strawberry and Pluto. To be able to record in their home town gave musicians the wherewithal to express themselves free from the shackles of the London-centric, music industry taste-police.

Hanley’s story gives credit where it’s due to the overlooked pioneers of Manchester music, and how Manchester made a much bigger contribution to the sixties’ ‘British Invasion’ than is generally acknowledged; Manchester bands were often lumped in with their contemporaries from Merseyside. Hanley illustrates that without the endeavours of Wayne Fontana and The Mindbenders or Herman’s Hermits, there would never have been an Unknown Pleasures.

Route editor Ian Daley said of the acquisition, ‘There are many reasons why we love this book. It is a refreshing expansion of the Manchester music story, told with authority by someone who played his part in shaping its history. Paul’s passion for music and his home city pour off of every page, but this isn’t just a story of Manchester. It’s also an important account of how free cultural expression was wrestled from the stranglehold of the entertainment corporations in our capital city and how that inspired the development of new independent cultural industries in the North, a continuum that Route is very much a part of.’

***

When British bands took the world by storm in the mid-sixties, the world turned and looked at London. Despite the fact that the most successful of these bands hailed from the North West corner of England, for the USA, London was the source of these thrilling new sounds. And in many ways it was – The Beatles, The Hollies and Herman’s Hermits recorded all their hits with London-based producers, for London-based companies in London studios. And that’s how it remained, until four Mancunian musicians became alive to the possibility of recording away from the capital.

Against the prevailing wisdom, they opted to plough their hard-earned cash back into the city they loved in the form of proper recording facilities. Eric Stewart of The Mindbenders and songwriter extraordinaire Graham Gouldman created Strawberry Studios; Keith Hopwood and Derek Leckenby of Herman’s Hermits crafted Pluto. Between them they gave Manchester a voice, and facilitated a musical revolution that would be defined by its rejection of the capital.

This book tells the story of Manchester music through the prism of the two studios’ key recordings. Of course that story inevitably takes in The Smiths, Joy Division, The Fall and The Stone Roses. But it’s equally the story of ‘Bus Stop’ and ‘East West’ and ‘I’m Not in Love’. It’s the story of the Manchester attitude of L.S. Lowry, by way of Brian and Michael, and how that attitude rubbed off on The Clash and Neil Sedaka. Above all, it’s the story of music that couldn’t have been made anywhere else but Manchester.

***

Paul Hanley was the drummer in Manchester legends The Fall from 1980-85 and now plays with Brix & The Extricated.  He’s currently completing his English degree with the Open University and occasionally writes for Louder Than War. He’s married with three children and once got 21 on Ken Bruce’s ‘Popmaster’.

 

 Leave The Capital published in November 2017.

Leave The Capital website

King of Clubs

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King of Clubs
by Maureen Prest

King of Clubs is a personal memoir of visionary showman James Lord Corrigan. Written by Corrigan’s confidant Maureen Prest, this is the only insider’s account of what really went on at his world famous Batley Variety Club, both in front of house and behind closed doors.

By bringing stars like Louis Armstrong, Shirley Bassey, Morecambe and Wise, Eartha Kitt and Gracie Fields to a humble mill town in Yorkshire, not only did Corrigan change the face of show business, he gave thousands of hard-working people something to smile about, a reason to put on the glad rags and be entertained. He was a showman extraordinaire and sprinkled stardust for all to share.

From his origins on a travelling funfair, his audacious climb through the world of show business, his turbulent marriage to his glamorous wife Betty, and his dramatic retreat, this is a story of rags to riches and back to rags. With a twist.

‘What was special about Batley was James Corrigan. He made the whole thing happen. He was special.’
Shirley Bassey

‘Corrigan did more for night life in Great Britain than anyone. I would put him with the great showmen.’
Danny La Rue

‘Batley Variety Club was a pinnacle in our career, even though we played the London Palladium.’
Cannon & Ball

‘Batley is a living aspirin.’
Louis Armstrong

Maureen Prest was the promotions and public relations manager for Batley Variety Club 1967-1974. She was a close friend and confidant of James Corrigan, the founder of the club. Maureen has worked as a theatrical agent, artist promoter and record producer. After leaving show business in 1974, she launched a successful fashion business with multiple outlets. Her book King of Clubs tells the amazing personal life story of James Corrigan.

King of Clubs will be released on the fiftieth anniversary of the opening of Batley Variety Club, 26th March 2017. Be amongst the first to read it. Click here to pre-order a signed first edition. Orders will be despatched upon publication.

Launch event
Friday 24th March, 11am
Batley Town Hall

Pontefract Festival of Stories 2016 | Bringing It All Back Home

When world music magazine Songlines reviewed Ian Clayton’s book Bringing It All Back Home they declared the reading experience to be ‘The literary equivalent of a great evening in the pub’.  In the ten years since publication, Bringing It All Back Home has fast established itself as a modern classic of music writing. To celebrate its tenth anniversary, the inaugural Pontefract Festival of Stories made literal the Songlines review with a series of events over ten days that reflected the content of the book, incorporating music, film and good conversation. Ian Clayton hosted guests throughout the week. All events will took place in the intimate theatre setting behind the curtain at the Tap & Barrel, Pontefract. All tickets £5 and carried a £5 voucher to be cashed in at the Route bookshop on the night.

Run the playlist above or click here to see it in YouTube

Festival programme below.

Friday 23 September, 9pm
Northern Town
Glass Caves + Toria Garbutt

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‘That summer someone organises a Rock Against Racism benefit at Pontefract Town Hall. Topping the bill are the Leeds Marxist intellectual rockers Gang of Four. Bottom of the bill are our local punk band, The Thrust, named after a chain of petrol stations. Every punk in Pontefract is present. The Thrust have Mick Griffiths on brand new Rickenbacker, swinging his arm like Pete Townshend, and Pete on vocals. He hangs off the microphone stand like a wounded scarecrow and spits out his songs with mighty venom: ‘I’m a victim of the system, a proper little twat. I’m an ordinary member of society, society, so…ciety!’ And the immortal ‘Northern Town’. ‘You’re living in a northern town. Pit stacks t’only scenery you’ve got.’

A celebration of leading-light, home-grown talent. With live music from the sensational Pontefract 5-piece, Glass Caves, and stunning poetry from the rising star of the UK Performance Poetry scene, Knottler’s very own Toria Garbutt.

Saturday 24 September, 7:30pm
Young Man Blues
Juke Joint Night

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‘My home town is full of ghosts. It is also a blues town. Like all blues towns, Featherstone thrives on shadows and echoes of what once was. Featherstone, like the first two lines of a blues song, likes to repeat itself. Featherstone is the most remote of the blues towns, a long way from the Mississippi Delta, yet if you drew a line between New Orleans and Memphis you might find Featherstone on that line. Somewhere between Rolling Fork where Muddy Waters was born and Clarksdale, the birth town of John Lee Hooker, is Featherstone.’

The Tap & Barrel transforms into a juke joint with a night of blues, live and on vinyl records. Live music from Ben Buddy Slack.

Sunday 25 September, 6pm
One World
Global Threads + Chris ‘The Man in the Hat’ Martin

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‘Nusrat Fateh Ali Khan, the Pakistani ghazal singer had a voice that went right through me. A bloke in a restaurant in Bradford called The Kashmir put me on to him. He gave me a cassette of a live concert in Paris. Then I saw him in the green fields at Glastonbury. He was magnificent. After Glastonbury I saw a snapshot of him pinned to the wall at the back of the till in a curry house in Pontefract, next to one of Imran Khan. The owner told me that he’d been in there for a meal. A story in the Big Bill Broonzy at Castleford mould.’

Ian Clayton presents his Global Threads world music session, spinning vinyl records from around the world. We come all the way back home with live music and hollering from the great Yorkshire bluesman Chris Martin aka ‘The Man In The Hat’ with fingered-picked and slide blues guitar.

Monday 26 September, 7:30pm
Freedom’s Just Another Word
Dave Downs with Steve Ely

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‘I’m replaying in my mind something that happened in Wakefield Prison some years before when making the Jailhouse Opera. On the day of the performance, one of the soloists decided that he didn’t want to perform his song accompanied by his own guitar that he’d been trying to perfect all week. He played a slightly out of tune guitar to the Kris Kristofferson song made famous by Janis Joplin, ‘Me and Bobby McGee’. It is the last song he learned before coming into prison. The song that seemed to have kept him going for the nearly twenty years he’d been inside. The refrain ‘Freedom’s just another word for nothing left to lose’ never sounded any sadder. I cried at the end of that performance. When I got home I took out my Kris Kristofferson Greatest Hits and played that song about fifteen times one after the other.’

Dave Downs in conversation with writer Steve Ely about his astonishing life: growing up on the mean streets of Featherstone, the violence and dark-side of ‘the doors’, the brutality, despair and humour of prison and his unlikely redemption. A Dissonant Voices special.

Tuesday 27 September, 7:30pm
Local Interest
Quiz + Jess Gardham

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‘When my grandad told me that I should never work down the pit, he never really told me what else I might do. Well, what he actually said was, ‘If I ever see thee near that pit I’ll give thee a bloody good hiding!’ When I asked him what he thought I ought to do he said, ‘Read books, lad!’ I used the maroon leather-bound dictionary that my Auntie Alice won for occasional reference; my word hoard improved dramatically. I got a bollocking at the age of sixteen for knowing too many “posh” words. Then there was my maps. And where did they get me?’

A specially curated cultural quiz, with a Yorkshire theme. Live music from York singer-songwriter Jess Gardham, with a distinctive mix of pop, soul and acoustic sounds. Richard Hawley was a surprise guest, and played 3 songs in the break between the quiz questions and answers.

Wednesday 28 September, 7:30pm
Knocked Down By a Feather
Allan Agar + 1983 Challenge Cup Final Screening

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‘In 1983 Rovers reached Wembley and were to play Hull, a millionaire club. Against all the odds, the Rovers with ten miners from the same colliery in their thirteen, triumphed. Jürgen Bredebusch stood on the terraces with me. He still talks about it today. “Mighty Hull knocked down by a Feather.” He quotes the headline on the back of The Observer newspaper from the day after. In Berlin just before they knocked down the wall I once saw sprayed in foot-high navy blue letters, Featherstone Rovers 14 Hull 12.’

Former Rovers coach Allan Agar in conversation with Ian Clayton about the glorious day in 1983 when Featherstone Rovers beat Hull to win the Challenge Cup at Wembley. Followed by screening of that 1983 final in full.

Thursday 29 September, 7:30pm
Subterranean, Homesick and Blue
Andy Kershaw Presents Bob Dylan’s Bringing It All Back Home*
(*Andy couldn’t make the event, but rescheduled to present Highway 61 Revisited)

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‘I have spent a lot of time following signs out of my home town. And another part of my life trying to get back in again. Bob Dylan was the first man to pull me out of here and my gran and grandad had a bigger pull to draw me back.’

‘Our Ian went to see Bob Dylan and he’s never been the same lad since he came home.’ – Hilda Fletcher (Ian’s gran)
In association with The CAT Club (Classic Album Thursdays), legendary broadcaster Andy Kershaw presents Bob Dylan’s classic album Bringing It All Back Home in full and on vinyl. With Q&A.

Friday 30 September, 7:30pm
Bringing It All Back Home
Ian Clayton with Heath Common + Edward Clayton

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‘Everything reminds me of something. I have filled my house and my head with things: books, records, paintings, stories; souvenirs that have no meaning except to me. Sometimes I think my house is my head and my head has become my house.’

Ian Clayton discusses his life and work in conversation with Heath Common, with Edward Clayton on piano.

Saturday 1 October, 7:30pm
One For My Baby (and One More For The Road)
Jazz Night with The Meg Holch Quintet

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‘It’s a long way from the sleazy bars of New York and at the same time I’m sitting right in it. I’m listening to Billie Holiday pouring out a story to a tired barman, yet I’m nowhere near. What is it that? Why in some moments do I feel more akin to a black jazz singer from America than I do to my own Auntie Alice? I could say that Auntie Alice informs me about who I am and where I’m from. Billie Holiday takes me to places that I’d like to be from. Too simple minded that, though.’

A night of jazz on vinyl and live. The Meg Holch Quintet will serve up a mixture of some classic jazz standards with soul and funk fusion songs.

Sunday 2 October, 7:30pm
No Particular Place To Go
Kevin ‘Rev’ Reynolds

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‘Prince Keeyama, the Chicken Man, King of Bourbon Street, Miracle of the French Quarter and Master of Martial Arts is sitting outside a shop called House of Voodoo surveying upper Rampart Street from a tattered deckchair, like my grandad surveyed the beach at Blackpool. He starts to tell his stories. “The chicken is wise and alert. He’ll run and run. He wiser than an owl. He give you energy and knowledge. If you bite his head off, he give you knowledge too.”’

Kevin ‘Rev’ Reynolds in conversation about a musical odyssey to America’s Deep South he took with Ian Clayton and some friends from Pontefract. Ian was armed with pen, Kevin with camera. With photographic exhibition. Live music from Scott Wainwright.

Your £5 Book Token
Cash in at the Route Bookshop

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Throughout the 10 days of the festival, Pontefract publisher Route will have a bookshop in the theatre. Each £5* ticket purchased for the festival includes a £5 book token that can be cashed in at the stall on the night of the event.

The list of books on sale was tailored to each individual event, but the mix each night will included four of Ian Clayton’s memoirs, plus other Route titles, including a selection of books on offer for £5. For these titles, tokens were directly exchanged for a book.

See Route’s full booklist: www.route-online.com

Tap & Barrel
Your Home of Cultural Events in Pontefract

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All events of the inaugural Pontefract Festival of Stories took place in the intimate theatre setting behind the curtain at the Tap & Barrel, Front Street, Pontefract. The festival is part of the ongoing cultural programme at the theatre, which hosts a regular series of events and sessions throughout the year, with live music, conversations, cinema and vinyl records. All events take place in a warm, friendly atmosphere, with the best stocked bar in the district, that includes a selection of artisan beers, wines and spirits, as well an exclusive range of fine Pontefract ales.

Tap & Barrel, 13 Front St, Pontefract, WF8 1AN
www.tappontefract.wordpress.com
www.facebook.com/Tapintothebarrel/

Dedicated to the memory of
Völker Bredebusch
(1960-2016)

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‘I first meet Völker one evening in a bar called The Optimum. He is guest harp blower with a blues band that Jörge Petersmann has got together called Black Cat Bone. Völker is Jürgen’s younger brother. He is about my age, similar height and built like a brick shithouse. He has some right shoulders on him, through years of training to be in the German butterfly swimming team. If only Germany hadn’t withdrawn from the Moscow Olympics in 1980 he might have built a career as a swimmer. Völker took up joinery and music promotion. He has organised tours in Europe for artists who he’s a fan of, Eddi Reader being one, but mainly his hero John Martyn. Völker is a walking encyclopaedia of English folk-rock, blues, jazz and Bob Dylan. At the last count I think he had over four hundred John Martyn live bootlegs on tape. Völker grew up in that peculiarly German 1970s tradition of political activism, street theatre and impromptu gig organising.’

May this be the first of many festivals to come.
Tickets exclusively available at the bar.
Tap in.

 

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The Pontefract Festival of Stories is a fringe event for Wakefield Literature Festival:
www.wakefieldlitfest.org.uk

 

 

Red Shed Book | Stories Wanted

REDSHED

Route is working with Wakefield Labour Club to create a book to mark the 50th anniversary of The Red Shed, to celebrate its colourful history and its contribution, over the last 50 years, to the Labour and socialist movement and the wider community. And we’re looking for stories from as many people with connections to the Club as possible. If you would like to make your contribution to the history of the Shed, or you know someone who has connections with the Club and has a story to tell, we’d love to hear from you.

Story Telling Sessions
To get the ball rolling, we have organised a series of story-telling sessions, led by author Ian Clayton. These are scheduled to take place at The Red Shed on:

Thursday 8th September 6pm-10pm
Saturday 17th September from 11am onwards
Wednesday 21st September 11am onwards
Monday 26th September 7pm onwards

Every assistance will be given to those who attend to ensure that their memories are included. No previous experience is necessary!

Ian Clayton commented that the sessions would enable people to tell their own personal stories and to herald the involvement and achievements of past members and the struggles they were involved in. ‘We want this to be an enjoyable experience for all those who have been involved in the Red Shed over the decades.’

If you are in contact with anyone who you think may have a contribution to make, please pass on these dates and encourage them to attend.

If you have story to tell but can’t attend one of the workshops, you can email your story to redshedmemories@yahoo.com

50th Anniversary Celebrations
The book project coincides with a production of The Red Shed, produced by Mark Thomas and currently on a national tour, and the Club’s own half century celebrations at the end of September. Former Wakefield MP David Hinchliffe said, ‘The Club’s fiftieth birthday will be marked by a significant stage production, events in the Club itself and now a book devoted to a shed and its relevance in half a century of political and social change. This is a very exciting project and I hope as many people as possible come forward to be a part of it.’

If you’ve been involved with the Club in any way overt the last fifty years, we’d love to hear from you. Likewise, if you know someone who has been involved, please pass this link on to them.

If you have any queries please contact the Club Secretary, Richard Council on 07948 525204 or email rchrdcoun1@blueyonder.co.uk, alternatively bring in your submissions to the Club!

Red Shed Website: www.theredshed.org.uk
Red Shed Facebook: www.facebook.com/theredshedwakefield