And a tow, row, row, row

Michael Nath paid tribute to Mark E Smith at an event at the Poetry Café. Covent Garden, London, ‘A Celebration of Mark E Smith and The Fall’ held on Monday 12th February, a few short weeks after Mark’s death. Here’s what Michael read on the night.

And a tow, row, row, row, row.
In memory of the Captain …

  1. Who gave life to words like ‘Kentledge!’

  2. Who used scat-sounds against Slaughter and the Dogs, for they ran out of lyrics in ‘Cranked up Really High’. The Captain never ran out … ‘Ba ba me-oo me-oo’.

  3. Who blew his nose on stage. Oh to have kept the tissue, and sold morsels to sinners! The Nightingales supported, in Country and Western shirts. Sheffield, 29th October 1981.

  4. 30th April 1982. Retford. The Fall played the legendary ‘Backdrop’. By 2008, I’d confirmed this. The support group were from Iceland: Don’t forget the Cod War! (I’d feared my old man might be conscripted.) In the audience, punks and miners scrapped. It was hard, but it was merry.

  5. In ‘Garden’, what got me was the gather-and-surge. Like, There’s always more, where that came from! You’ll not be left alone … 26 years on, it was the power-surge in ‘Slippy Floor’: that got me like Yeats, Nineteen Hundred and Nineteen, Part VI – where he raises demons.

  6. 7th Oct 1985, or was it 1597?, I saw the Cap and Brix on Princes Street, just above Waverley Station. He wore zipped boots, and looked like Allan (“Sniffer”) Clarke – Leeds Utd No.8. Mrs McRae confused ‘My New House’ with Shakin Stevens’ chart topper. At night we drank whisky and cloves.

  7. Aug ’88. The Captain left Tollcross Supa-Store with a bag of mini-Marathons and a pack of Superkings. His overcoat was good and he bore a doctor’s bag. I didn’t say hello on this occasion either.

  8. There are far lovelier songs than ‘Edinburgh Man’, the gist of which was only that whisky was served in ¼ gill measures in some pubs in Fountainbridge. So a large Scotch gave you 1/8 of a pint – in England only 1/12. 1/8 is a drink, 1/12 a kind of dampness in the glass. I will not list far lovelier songs.

  9. The gigs at The Forum weren’t up to much. Nonetheless, I saw myself in them.

  10. Nov ’98 at The Astoria. He tidied up after the group. They were young, and left their things all over the shop. My pal Nick Groom took this image away.

  11. September 2014. I came upon Brix at a Route/Rough Trade event: Last time I saw you, you were rotating on a burger! She ‘laughed’.

  12. Let us pause on the Captain’s total humour: the word for such humour is hilaritas. So I learned from the letters of Dietrich Bonhoeffer, hanged at Flossenbürg, April 9th 1945.

  13. I’ve mentioned years and intervals and dates. So a genuine cult comprehends your time. You can measure yourself, without leftovers. A genuine cult also takes your time: think of Dragnet. Of course there was life before The Fall, but it was unredeemed – like the time of the virtuous Greeks.

  14. Kentledge’ is a word for ballast, something Captains know to be vital.

And green grow the hedgerows along the walls … ’

Click here to listen to Michael discuss The Fall in a podcast ‘A Drink With Michael Nath’ recorded in July 2010. Fall discussion begins at 32:33

Merrie England or Falstaff at the Bar

Merrie England or Falstaff at the Bar
With Michael Nath and Nick Groom

Thursday 21 April 2016, 7:30pm
Tap & Barrel, Pontefract
This is a FREE EVENT but numbers are limited so email us here to reserve a ticket.

In commemoration of the 400th anniversary of the death of Shakespeare, Nick Groom and Michael Nath will discuss the cultural heritage of ‘Merrie England’ and how it affects us today, as well as Sir John Falstaff’s drinking habits. There will be clips from Orson Welles’ Falstaff film Chimes at Midnight, and BBC interviews with Welles. Michael and Nick will read from their books British Story: A Romance and The Seasons: A Celebration of the English Year, and will right gladly take questions from any sober members of the audience, as well as all those who have made too free with Sir John Strawberry.

MichaelNath

Michael Nath was brought up in South Wales and Lincolnshire. He is a senior lecturer in English at the University of Westminster. His major teaching and research interests are in Creative Writing and Modernism, as well as in Shakespearean Drama. His latest novel, British Story, was a Morning Star book of the year. His first novel, La Rochelle, was shortlisted for the James Tait Black Memorial Prize for Fiction.

NickGroom

Nick Groom is an academic and writer. He is Professor in English at the University of Exeter and has written widely on literature, music, and contemporary art. He is the author of a dozen books and editions, including Introducing Shakespeare (2001), The Forger’s Shadow (2002), The Union Jack (2006), The Gothic (2012) and, most recently, The Seasons: An Elegy for the Passing of the Year. He lives on Dartmoor with his wife, two daughters, and one cat, and keeps a flock of Black Welsh Mountain sheep. When he is not writing, he can be found playing the hurdy-gurdy in local pubs.

>>Click here to read a fitting extract from British Story

>>Click here to listen to a podcast of Michael and Nick’s talk ‘The Last of Britain’ at Ilkley Literature Festival 2015.

BRITISH-STORY-mni   TheSeasonsNickGroom

 

The Last of Britain

Michael-Nath-Nick-Groom

Michael Nath and Nick Groom recorded in conversation at Ilkley Literature Festival 2015.

In an event entitled The Last of Britain, Nick reads from his book The Seasons: A Celebration of the English Year and Michael reads from his novel British Story, before engaging in a conversation about Britishness, character and cultural heritage. Followed by questions from the audience. The running time is 50:03.

Play:

Click here to download an MP3 of this podcast

Bad Language

British Story British Tour at Bad Language, The Castle, Manchester. January 2015. Listed at No.3 in the undeniably cool things to do in Manchester that week.

Michael Nath reads a passage on the two plagues of King Lludd, as told by Arthur Mountain. ‘It’s a legend, Sire. You may shake your head.’

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